Please, test extensively the
demo version of this product in your host to make sure
there are no misbehaviors before
purchasing.
• Quick selector to switch between different preset sounds:
# |
List of Preset Sounds / Demo
↓ |
 |
1 |
ATMOS -
Crypto Signals |
 |
2 |
ATMOS -
Distant Galaxy |
 |
3 |
ATMOS -
Etherphone Particles |
 |
4 |
ATMOS -
Quasar Pattern |
 |
5 |
ATMOS - Stellarium |
 |
6 |
ATMOS - Stroboscopic Waves |
 |
7 |
BASS - Dynamic Bass |
 |
8 |
BASS - Gargoyle Bassline |
 |
9 |
BASS - Percussive Bass |
 |
10 |
BASS - Reso Bass |
 |
11 |
BASS - Smooth Bass |
 |
12 |
KEYS - Psychonautics |
 |
13 |
KEYS - Sagittarius |
 |
14 |
KEYS - Soft Overdriven |
 |
15 |
KEYS - Sonic Kaleidoscope |
 |
16 |
KEYS - Wah Resonance |
 |
17 |
LEAD - Alchemical
Transmutation |
 |
18 |
LEAD - Alpha Centauri |
 |
19 |
LEAD - Formant Spacing |
 |
20 |
LEAD - Fusion Power Saw |
 |
21 |
LEAD - Helium Atom |
 |
22 |
LEAD - Hypnotic Trance |
 |
23 |
LEAD - Magmatic Squarewave |
 |
24 |
LEAD - Polyphonic Sawtooth |
 |
25 |
LEAD - Quantum Morph |
 |
26 |
LEAD - Resonant Glide |
 |
27 |
LEAD - Sonoluminescence |
 |
28 |
LEAD - Terra Wavesphere |
 |
29 |
LEAD - Trance Wave |
 |
30 |
LEAD - Unearthly Translucence |
 |
31 |
PAD - Breathy Texture |
 |
32 |
PAD - Cinematic Symphonia |
 |
33 |
PAD - Cognitive Sequencing |
 |
34 |
PAD - Eclectic Thoughts |
 |
35 |
PAD - Ethereal Ambient |
 |
36 |
PAD - Exogenous Molecules |
 |
37 |
PAD - Glassy Dreams |
 |
38 |
PAD - Mellow Heavenly Breeze |
 |
39 |
PAD - Mystical Soundscape |
 |
40 |
PAD - Orchestral Strings |
 |
41 |
PAD - Rising Star |
 |
42 |
PAD - Shimmer Crystal |
 |
43 |
PAD - Somber Time Trip |
 |
44 |
PAD - Spectrum Sweep |
 |
45 |
PAD - Subtle Formant |
 |
46 |
PAD - Ultra-Deep Planet |
 |
47 |
PAD - Warm Strings Lovescape |
 |
48 |
SFX - Alien Embryo |
 |
49 |
SFX - Cosmic Revelation |
 |
50 |
SFX - Cyberspace Microwaves |
 |
|
• Tremolo Section: The low-frequency oscillator knobs apply modulation to
the selected instrument. By using the LFO to modulate various aspects of the
audio signal, you can apply effects such as vibrato or tremolo. Enabling 'Destination'
by selecting 'Panning' mode applies a rhythmic variation in amplitude in the
stereo field.

Ø Rate:
This knob controls the frequency. Turn clockwise for a faster
modulation rate.
Ø Depth:
This knob controls the amplitude. With a lower setting, the
resulting modulation is subtle, while a higher depth will result
in a much more extreme effect.
The following combo
boxes settings adds motion or variability to sounds:
Ø WaveForm: Switches between
‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
Ø Source: Switches between ‘Modulation
Wheel’, ‘Aftertouch’ and ‘Velocity’.
Ø Destination: Switches between
‘Pitch’, ‘Expression’ and ‘Pan’ modulation.
•
ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
Ø Attack
determines the time it takes for the note to get to the maximum level.
Ø Decay
determines the time it takes for the note to go from the maximum level
to the sustain level (controlled by Sustain).
Ø Sustain
determines the level of the sound is played at while the note is held (after
the other envelope states, Attack and Decay, have been completed).
Ø Release
determines the time it takes for the note to fall from the sustain level
to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected
instrument.
Ø Pitch
Bend center position: is normal pitch.
Ø Pitch
Bend down: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved to the left.
Ø Pitch
Bend up: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved the right.
• Reverb built-in: provides a spaciousness and depth to simulate the
sound reflections from walls, floors and ceilings following a sound created
in an acoustically reflective environment. Small rooms can be modeled as
well as large spaces.
• Filter Type. Combo box to switch between the following options:
Ø Low
Pass (LPF): a filter that passes signals with a frequency lower than a
certain cutoff frequency and attenuates signals with frequencies higher
than the cutoff frequency.
Ø High
Pass (HPF): a filter that passes signals with a frequency higher than a
certain cutoff frequency and attenuates signals with frequencies lower
than the cutoff frequency.
Ø None:
No filter is applied.
Ø Cutoff
Frequency Filter: Sets the cutoff frequency for the low pass and high
pass filters.
• Amplitude Range Parameters: It controls the loudness, the way in which we
perceive amplitude.The sensitivity level is set by the user:
Ø Amplitude
range (low) - sets amplitude range, lower bound (dB)
Ø Amplitude
range (high) - sets amplitude range, upper bound (dB)
• Volume: Adjusts the volume of the instrument.
• Panning potentiometer control: Set the panning of the instrument. Adjusts
the stereo pan position of the signal output, which determines how much of
signal is sent to the left and right channels.
• Spatial
auralization: Synthesizer emulations brings a stereophonic sound panning to increase the
audible perspective, even without using the built-in reverberation or LFO
pan effect.
• MIDI CC Automation: Implementation of MIDI Continuous Controller
parameters for use with external hardware control via DAW, such as: LFO
depth (CC#1), expression (CC#11), volume (CC#7),
pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73,
Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
