• Low Frequency Oscillator Section: These knobs apply modulation to
the selected instrument. By using the LFO to modulate various aspects of the
audio signal, you can apply effects such as vibrato or tremolo.
Ø Rate:
This knob controls the frequency. Turn clockwise for a faster
modulation rate.
Ø Depth:
This knob controls the amplitude. With a lower setting, the
resulting modulation is subtle, while a higher depth will result
in a much more extreme effect.
•
ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
Ø Attack
determines the time it takes for the note to get to the maximum level.
Ø Decay
determines the time it takes for the note to go from the maximum level
to the sustain level (controlled by Sustain).
Ø Sustain
determines the level of the sound is played at while the note is held (after
the other envelope states, Attack and Decay, have been completed).
Ø Release
determines the time it takes for the note to fall from the sustain level
to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected
instrument.
Ø Pitch
Bend center position: is normal pitch.
Ø Pitch
Bend down: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved to the left.
Ø Pitch
Bend up: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved the right.
• Reverb built-in: provides a spaciousness and depth to simulate the
sound reflections from walls, floors and ceilings following a sound created
in an acoustically reflective environment. Small rooms can be modeled as
well as large spaces.
• Filter Type. Combo box to switch between the following options:
Ø Low
Pass (LPF): a filter that passes signals with a frequency lower than a
certain cutoff frequency and attenuates signals with frequencies higher
than the cutoff frequency.
Ø High
Pass (HPF): a filter that passes signals with a frequency higher than a
certain cutoff frequency and attenuates signals with frequencies lower
than the cutoff frequency.
Ø None:
No filter is applied.
Ø Cutoff
Frequency Filter: Sets the cutoff frequency for the low pass and high
pass filters.
• Amplitude Range Parameters: It controls the loudness, the way in which we
perceive amplitude.The sensitivity level is set by the user:
Ø Amplitude
range (low) - sets amplitude range, lower bound (dB)
Ø Amplitude
range (high) - sets amplitude range, upper bound (dB)
• Volume: Adjusts the volume of the instrument.
• Panning potentiometer control: Set the panning of the instrument. Adjusts
the stereo pan position of the signal output, which determines how much of
signal is sent to the left and right channels.
• MIDI CC Automation: Implementation of MIDI Continuous Controller
parameters for use with external hardware control via DAW, such as: LFO
depth (CC#1), expression (CC#11), volume (CC#7),
pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73,
Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
• Ideal for composers and sound designers to create ambience effects and
music for films, documentaries, video games, choral pieces as well as new
age music, with a clear user interface helps work intuitively, inviting to
experiment creatively.
Syntheway offers the demo versions for potential customers to
have adequate opportunity to assess the value of these
products prior to purchase a license. Unlike physical goods,
electronically distributed software can be copied. Once a
purchase has been made, it is unfortunately not possible for
us recovering that intangible copy downloaded from
Syntheway. Therefore, Syntheway does not accept refunds,
returns, or exchanges.
Audio Units™ is a trademark of Apple
Inc.
VST™
is a trademark of Steinberg Soft- und Hardware GmbH
Mac®,
macOS®, OS X®
are a trademark of Apple Inc.,
registered in the U.S. and other countries.
